Displacement and it's Applications in Contemporary Artistic Formation

(An analytical Study)

Abstract

To keep pace with developments and everything new in the field of art and to comprehend it from all aspects, contributing to its enrichment through studies and research that address the concept of shift through different viewpoints and multiple angles, and utilizing all plastic elements in various artistic compositions. Ahmad (2018) in his study linked the emergence of the shift concept with the phenomenon of aesthetics, which focuses on stylistic, technical, and formal issues, represented by the sayings of Hegel, Nietzsche, and others, indicating that the artist does not imitate reality, and that art's mission transcends what is traditional and agreed upon, or with the external world that imposed itself by virtue of its stylistic force.

The researcher addressed in this study, whose problem crystallized in the limited utilization of aesthetic, plastic, and expressive values resulting from employing the concept of displacement in contemporary artistic works in the field of contemporary artistic formation. The study included an examination of displacement in various fields such as literature and language, physics and mathematics, aesthetics of displacement in (deconstructivism) architecture, and displacement in contemporary artistic formation. Additionally, it analyzed ten (10) contemporary plastic artworks through the concept of displacement (formal - intellectual), including installation artworks in space, sculptures, and sculptural murals, with various materials and different techniques, and ideas and concepts expressed by contemporary plastic artists through the displacement strategy to emphasize these concepts and convey them to the recipient.