Vision and Aesthetic Formation in the Song of Rain by Badr Shakir Al-Sayyab (1926-1964)

(An analytical study)

Abstract

I derived the subject of the research from the poem Rain Song from the Diwan of the Iraqi poet Badr Shakir Al-Sayyab; It aims to read the semantic indicators of vision and the elements of formation in the poem “Song of the Rain”, and to show the extent to which vision and formation contribute to showing the poet’s personality and the features of the era.

The research highlights the relationship between the poet and the homeland by defining what his vision is, and reviewing the aesthetic and color images that he reflected in his understanding of reality and life, which he expressed with a dictionary full of emotions. The poem was a clear expression of the rebellious creator.

Al-Sayyab was considered one of the most important poets of the modern era who deliberately renovated the Arabic poem. The status of the poem "Rain Song" among his poems was like the hidden pearl, passing through vision and formation and their relationship to the artistic image drawn by the poet, and his use of color within the text.

This unique text of al-Sayyab is characterized by human features and symbolic connotations, which concealed the homeland in a new shocking image for the recipient. Expressive meanings and meanings.

The research included an introduction with a definition of the research and work plan and an introduction to clarify the difference between “vision” and “vision” and then two sections: the first specialized in studying the vision in the poem “The Rain Song” and the second talked about the poetic formation in the poem “The Rain Song”, then the conclusion of the search with a list of sources and references and then a conclusion. A number of findings and recommendations at the end of the research.